Backstage

Estate, sun. In an environment that closely resembles the style of David Cronenberg, cool colors of steel meets the warm tones of the flesh.
Maria, is immersed in geometric spaces of iron and cement, dressed in metal.
Law, blonde with blue eyes is cold, cold, but still meat, illuminated by the warm light of sunset.
Her makeup is a gray and black smokey eye, that goes with the color of the dress, and with a design to elongated oval it emphasizes the eyes.
The lips are mentioned appenna, marked with a pencil natural color, and then faded.

More pictures here.

From an idea of ​​Valentina and the work of all of us is born this set.
In an enchanted location, a cross between a fairy tale and a dream, Giada girl back, and runs between games by flying his balloon…
Despite the chiaroscuro also strong background, everything is soft, light, delicate; the trick is therefore built according to this prerogative.
Similar to wedding makeup, Paving the basis, I reinforced light and shadow on the eyes, as well as in general on the face. The colors used are reminiscent and mix well with skin tones, the design of the lips and eyebrows was treated and finished with natural colors, lips polished also with a little’ of clear gloss, the eye in the finished watercolor drawing.

The result is a light and bright makeup, almost invisible, which highlights the radiant beauty of Jade, like in a dream.

Here are some shots for a photo shoot with Daniel Mora.

The photo shoot was carried out in all external, Parco Ducale in Parma, daylight to a late summer day.
For makeup Eilidh, wanting to obtain a quite natural, I made a clear basis on the face, shaded pink cheeks and cheekbones with a natural and edged black eye, pencil (eyeliner) el'eyeliner lower eyelid removal on the upper eyelid, just above the root of the eyelashes.
I used a purple in poor enough to give off a color tone to the eyes, delicatamanete brushing the upper eyelid, starting from the eye closest to the nose and blend it with a white eye shadow outside corner of the eye, near the end of the arch eyebrows.
The same eyebrows were re-redefined the use of a dark brown pencil, also to make the transition to a nicer hair wig blacks used shortly after, very good in giving a stronger tone to the character and remove it so decided by the fund, Very colorful and bright.
For the second series of shots instead, made towards the sunset, we went back to the classic style, Eilidh for removing the wig to regain its natural brown color, tune with the background color of the trees, and focusing instead on the lips, on with a bright red.