Backstage

The thing I like most about my job.. it's my job! See how much able to change the face and the characteristic traits of a person with nuance and chiaroscuro (and sometimes also adding some piece :D) it amazes me every time, and fills me with satisfaction.
Gabriela, 17 years, Brazil and Italy for the first time, came under contract for a major agency in Milan, is in its infancy in the modeling career, but in a few months has already learned all the secrets that are to be part of this world: is friendly and helpful, but with a strong character, patient during the professional make-up and in front of the goal, is willing to brave the cold late autumn despite being accustomed to the climate and temperatures much milder.
The morning runs away fast, makeup required is a make up base “nude-look”, that I often use as a base for bridal makeup, due to its ability to highlight the best features of the face iluminando eyes and hiding minor imperfections.
The time to carry out the shooting on location, you can find here: NextDoorModel.com/yellow-border-line-grabriela-godoi and returns to the makeup.
The basis of the corrective makeup has remained unchanged, I proceed then giving a little’ to emphasize the eyes (con uno smokey eyes nero) and mouth (Already, however, colorful), to make it all a bit’ more glamorous and sensual.

This is the result..

Estate, sun. In an environment that closely resembles the style of David Cronenberg, cool colors of steel meets the warm tones of the flesh.
Maria, is immersed in geometric spaces of iron and cement, dressed in metal.
Law, blonde with blue eyes is cold, cold, but still meat, illuminated by the warm light of sunset.
Her makeup is a gray and black smokey eye, that goes with the color of the dress, and with a design to elongated oval it emphasizes the eyes.
The lips are mentioned appenna, marked with a pencil natural color, and then faded.

More pictures here.

From an idea of ​​Valentina and the work of all of us is born this set.
In an enchanted location, a cross between a fairy tale and a dream, Giada girl back, and runs between games by flying his balloon…
Despite the chiaroscuro also strong background, everything is soft, light, delicate; the trick is therefore built according to this prerogative.
Similar to wedding makeup, Paving the basis, I reinforced light and shadow on the eyes, as well as in general on the face. The colors used are reminiscent and mix well with skin tones, the design of the lips and eyebrows was treated and finished with natural colors, lips polished also with a little’ of clear gloss, the eye in the finished watercolor drawing.

The result is a light and bright makeup, almost invisible, which highlights the radiant beauty of Jade, like in a dream.

The make up for this shooting is to be made lighter and spring, almost invisible, which enhances the natural beauty of the model (Maria Ida Righi was named Miss Reggio Emilia and has participated in 2003 the final of Miss Italy) surrounded by a bucolic environment almost Leopardi (CFR. “On Saturday the village”).

The trick has been achieved starting from a light and dark and light points (contouring & highlight) to highlight the depth of the face; technique also used on the lips.
Given the summer temperatures are entrusted me with a foundation based fat, then fixed with powder clear, technique now used routinely even in makeup and in the film Bride, and which provides excellent sealing.

Eyebrows were already a good design, I only comb and fill them with water color eyeliner.

Lipstick and pink blush to the cheekbones shaded eyelids have contributed to the model's face looks more radiant and natural.

Here are some shots for a photo shoot with Daniel Mora.

The photo shoot was carried out in all external, Parco Ducale in Parma, daylight to a late summer day.
For makeup Eilidh, wanting to obtain a quite natural, I made a clear basis on the face, shaded pink cheeks and cheekbones with a natural and edged black eye, pencil (eyeliner) el'eyeliner lower eyelid removal on the upper eyelid, just above the root of the eyelashes.
I used a purple in poor enough to give off a color tone to the eyes, delicatamanete brushing the upper eyelid, starting from the eye closest to the nose and blend it with a white eye shadow outside corner of the eye, near the end of the arch eyebrows.
The same eyebrows were re-redefined the use of a dark brown pencil, also to make the transition to a nicer hair wig blacks used shortly after, very good in giving a stronger tone to the character and remove it so decided by the fund, Very colorful and bright.
For the second series of shots instead, made towards the sunset, we went back to the classic style, Eilidh for removing the wig to regain its natural brown color, tune with the background color of the trees, and focusing instead on the lips, on with a bright red.