Backstage

Contacted by the agency that was responsible for directing and implementing the movie, I turned the white skin of the actor, in the tan of a farmer who spends his life in the countryside.

The trick has been achieved with a slightly orange cream base, lying on the sponge on the face and arms, buffered with a dark powder, and then airbrushed shaded in darker parts (backs of the arms, front, tip of the nose and cheekbones) with a chocolate brown color, to give the proper effect of a brownish skin and sunburned.

All this took place on location in the estates Mutti, at the foot of the castle of Torrechiara (Parma).

Here are some shots for a photo shoot with Daniel Mora.

The photo shoot was carried out in all external, Parco Ducale in Parma, daylight to a late summer day.
For makeup Eilidh, wanting to obtain a quite natural, I made a clear basis on the face, shaded pink cheeks and cheekbones with a natural and edged black eye, pencil (eyeliner) el'eyeliner lower eyelid removal on the upper eyelid, just above the root of the eyelashes.
I used a purple in poor enough to give off a color tone to the eyes, delicatamanete brushing the upper eyelid, starting from the eye closest to the nose and blend it with a white eye shadow outside corner of the eye, near the end of the arch eyebrows.
The same eyebrows were re-redefined the use of a dark brown pencil, also to make the transition to a nicer hair wig blacks used shortly after, very good in giving a stronger tone to the character and remove it so decided by the fund, Very colorful and bright.
For the second series of shots instead, made towards the sunset, we went back to the classic style, Eilidh for removing the wig to regain its natural brown color, tune with the background color of the trees, and focusing instead on the lips, on with a bright red.