Backstage

Have in common a beautiful girl, a bright red dress medieval, un make up fashion moderno, an aseptic environment and gray cement, architecture and geometric essanziale, that surrounds ?
Should ask the photographer (Gabriele Bertolini) who set and achieved in this set, snapping a picture on your dream photo shoot. Certainly the effect choreographic works well, and leads the subject, Elena, our model, to dominate the scene, Look for evidence of color, Look for the dress, Look for its natural beauty.

For the realization of the makeup I followed also in this case the 'classic': fatty base for contouring & highlights sul fondo, Transparent powder, eyeliner and powder on top, with tone on tone colors with those of the dress. Despite the heat of the day (plus you add the one generated by the dress, not just 'summer') makeup has held up well and allowed us to shoot up into the night.

The make up for this shooting is to be made lighter and spring, almost invisible, which enhances the natural beauty of the model (Maria Ida Righi was named Miss Reggio Emilia and has participated in 2003 the final of Miss Italy) surrounded by a bucolic environment almost Leopardi (CFR. “On Saturday the village”).

The trick has been achieved starting from a light and dark and light points (contouring & highlight) to highlight the depth of the face; technique also used on the lips.
Given the summer temperatures are entrusted me with a foundation based fat, then fixed with powder clear, technique now used routinely even in makeup and in the film Bride, and which provides excellent sealing.

Eyebrows were already a good design, I only comb and fill them with water color eyeliner.

Lipstick and pink blush to the cheekbones shaded eyelids have contributed to the model's face looks more radiant and natural.

Here are some shots for a photo shoot with Daniel Mora.

The photo shoot was carried out in all external, Parco Ducale in Parma, daylight to a late summer day.
For makeup Eilidh, wanting to obtain a quite natural, I made a clear basis on the face, shaded pink cheeks and cheekbones with a natural and edged black eye, pencil (eyeliner) el'eyeliner lower eyelid removal on the upper eyelid, just above the root of the eyelashes.
I used a purple in poor enough to give off a color tone to the eyes, delicatamanete brushing the upper eyelid, starting from the eye closest to the nose and blend it with a white eye shadow outside corner of the eye, near the end of the arch eyebrows.
The same eyebrows were re-redefined the use of a dark brown pencil, also to make the transition to a nicer hair wig blacks used shortly after, very good in giving a stronger tone to the character and remove it so decided by the fund, Very colorful and bright.
For the second series of shots instead, made towards the sunset, we went back to the classic style, Eilidh for removing the wig to regain its natural brown color, tune with the background color of the trees, and focusing instead on the lips, on with a bright red.

The theme of vampires has always fascinated me, and, having happened almost by accident before my eyes This contest, organized by Make Up Forever on the new theater 'Dracula's stronger than death Love’ I decided to participate.

I had no doubts when looking for a hero to the photo shoot, treated with great professionalism by Lorenzo Fontanesi and Mariasole, I knew from the beginning Francesca B., with his passion for the Gothic and his red hair 'Lucy', would have made my case.

A Saturday afternoon spent at home, color with dirty hands and a desire to recreate the atmosphere and a bit gothic’ cup.. typical of dusk, indefinite time between the day and the night creatures day and night meet, undefined as the distance that exists between death and life.