Backstage

Here is a proposal to make up for Carnival: fatal beauty!

As you can see from the photos, it's a trick asymmetric, where the right side of the face was made up with make-up rather marked beuaty, accentuating the light and shade of makeup on the eyelids and under the cheekbones, I realized while on the left face-painting of a skull with colored water.
Before you begin face painting, I covered the eyebrow with soap, to do it then disappeared under makeup.
To draw the skull I was inspired by a couple of pictures downloaded from the Internet (specifically from wikipedia, that).

The realization of face painting:

With the black color and a thin brush I have updated the guidelines that define eye, nose, mandible and maxilla, and the various teeth, helping with the feel and trying to follow the underlying bone.
Then I mixed white, yellow and a touch of black, for the typical color of the bones, preferring a shade a little’ darker, so that we can build on later, and chiaroscuro shadings.
I colored with white teeth, and nose, eye and the inner side of the square jaw with black, I also used to mark the boundary face.
Finally I created using the black shades and a big brush and almost dry, bringing into the dark inner points and using the white to create fake reflections (For example, on the forehead, cheekbone and the center of the nose) in the most obvious; and I added some detail with the brush nice and simple (a crack on the nose and under the eye).

Ok, perhaps a little’ scary.. Here it is !

Here are step by step illustrated instructions on how I made the noses for a few characters of the Palio of Pomarance.

Since this is a play which did not require the likely make-up make-up film, and being the nose part of the face little flexible and deformable, I thought it was not necessary to use latex foam to achieve this type of prosthesis, but could also work well on liquid latex precured.

The first step in the realization of the prosthesis was then the study design (the whole show was created and developed around a comic) and the creation of the model.

Even with the positive provision of a nose (my! 🙂 ) plaster work on, and that I used as reference for the size, for convenience I made a table of all PVC (my kitchen cutting board).

After the modeling phase of the clay (Here I used the very common Pongo) and recreated a thin orange peel to simulate the effect of the skin, I used the cutout of the base of a bottle to surround the model and create a containment for the casting, as well suited in size, and then I poured the plaster to get the impression.

At this stage it is important to ensure that small air bubbles inevitably present in the water / gypsum leave, thus avoiding that create imperfections to the mold. To do this, fully paid after the plaster into the mold, just beat vigorously on the basis of which it supported the model, creating vibrations.

Obtained the mold and removing the model pose, which will leave the imprint 'clean', you can proceed to the first molding.

To do this you must pay a minimum amount of liquid latex mold inside, and then moving the same to make the latex go to cover only the areas concerned, preventing or oozing from the mold is at the bottom.

The mold should be left to air dry (if you want you can speed up the processs with a hair dryer) and at the end all be exposed to the latex powdered with talcum powder or neutral boron-. This will prevent the latex from sticking to itself during the extraction.
Generally a single layer of latex is very thin and is not sufficient to ensure that the prosthesis has achieved the required consistency, to make it more rigid, you can create other levels following the first, but left margins after 'climbing’ the distance 1/2 mm from the edge of the previously created, to ensure that the edges, remaining thinner, risultimo invisible once pasted.

Once you reach the desired thickness, powder for remembering everything well, you can proceed, by lifting a corner of the latex and shoved under a brush full of talcum powder, to pull the nose of the mold.
What should be done by becoming aware that the objectivity achieved not fold on itself, sticking beyond repair.
Below is presented as a separate noses from the plaster, ready to be applied and colored.

Republish this old guide on how to make a nice makeup feline, always in vogue for those who want to deal with a little carnival’ of joy. E’ You can also change the colors proposed (blue and blue, Pink and rosso) to give the mask a touch of originality !

First of all applied with a sponge, a white light enough on the face (I used the acquacolor) , including the eye, and softening the neck. Then start drawing with the black nose cone, as shown, about respecting the limits given by the vertical line of the eyes and ears of the mid face (red lines).
The mark must be decisive and firm, starting off from the edges of the mouth to get thin and faded face up to the half way line.

E’ important to taking a nose-shaped inverted triangle, the upper lip and a double curve, typical facial feline. In the rest of the face I made a trick based on triangles and curves, to remember a bit’ the stripes of the coat brindle.

In this case, to remember the effect of the hair, I left the poorly defined bodi, created with many small irregular pennellatine.

Finally I marked with a white nose and chin more cargo, I called contornadoli black eyes and stretching a bit’ out, and I scored a mustache with many small dots blacks.
Another effect you can give with sponge (little!) gray / black part of the face remained between the white stripes; This will help to create chiaroscuro effects and make the most basic trick of living.
Accessories such as ear, vampire teeth and colored contact lenses with the eye of the cat will make the mask even more attractive ! =)

As promised a few days ago, here are some simple steps to achieve in a short time and with materials readily available from a nice trick Zombie, On the subject saw the carnival imminent or partner if you want to remove some’ troppo assillanti 🙂

Materials needed:

• White base for facepainting (excellent even in the clown makeup cream)
• Black pencil make-up
• Color fire red (well only a lipstick)
• Pre-vulcanized liquid latex (alternatively a layer of toilet paper and PVA glue)
• possibly a correction / economic foundation

How to proceed:

Apply with a sponge in the liquid latex to the cheeks and make it dry using a hair dryer. In the event that you do not have the latex (mesticheria or sell it in stores a few colors €) can be done as follows:

Separated by a piece of toilet paper (or a paper towel) two-ply, tear so that it follows an approximate outline of the cheeks (you could get two more or less oval) and paste to the face, one cheek, using PVA glue as a bonding agent diluted in a bit’ d’acqua, being careful to apply the glue to the side of oval, and not in the middle.

When finished you can proceed to slightly whiten his face, as the most preferred white forehead, the nose and cheekbones.

Apply now some’ black eyes: over the entire upper eyelid and lower eyelid, surrounding the whole eye.
Wait for it to dry out a bit’ (in case you're using water colors) then mix it with a bit’ sfumatelo on lipstick and white: the objective is to achieve a dark purple.

Now, with a pencil or black color on the cheeks create a chiaroscuro: the goal is to give an idea of emptying, then you can proceed to break the latex or toilet paper in vertical strips, coloring the underlying skin with red lipstick, To give an idea of the flesh.

Finally, color the tip of the nose and lips with black.
If you're using a pencil ol'eyeliner can score some interesting cross line, thin lips, not too long, giving the idea of ​​a lip that is breaking.

The concealer or the foundation may be useful at this point if we realize that we have exaggerated with the white or black and white will fade further (apply it to lighten the black, then fade to white).

If we want to add some more details, We can draw two parallel lines on the forehead and round, by then fade out, to give an idea of the passage of a large vein or the skin is breaking.

A red halo around the mouth and stains like blood spatter made will make it more gruesome and terrifying your creation..

Neck and hand colored the same color of the face , and uncombed hair properly and fixed with a bit’ spray or foam to make you worthy of revival from death …